The middle unit of what were known as the Mrkusich towhnhouses is for sale, and we have another chance to explore its interior.
Just 68square metres -- and while the agents' fish-eye lenses do make spaces appear larger than they are, it's entirely Megson's skill that allows that to happen in reality. The whole place is permeable, front to back; negative detailing (a Megson trade mark) allows walls to read as screens rather than enclosures; space opens up on corners, removing the sense of enclosure; view shafts regularly open up the space, even from the kitchen...
And the one-bedroom place sits high enough above the road to give almost complete privacy.
The unit was last on the market ten years ago, when it looked like this. Fortunately the simple beauty inside still remains. Compare the 2016 sitting area with today's:
This is one of those very small places that genius makes appear large ... simple things like viewshafts front to back, borrowed scenery, full-height French doors, exposed rafters, subtle changes in level and height, cunningly-placed storage, all-day sun through the lantern over the central dining space, overlapping and nested spaces etc. All very thoughtfully done, and very effective indeed at turning a small jewel into what feels like a large-souled space.
Megson used to talk about a house being something you would sometimes want to wrap around yourself like a cloak, and other times just disappear. This small place fits the bill.
"Claude Megson was very good at small spaces and centreing them around courtyards; following your daily rituals of getting up in the morning and going to bed at night.
"This house has been planned around those rituals, with a morning courtyard to the rear facing east and the deck in front where you can drink wine in the sun in the evening."
With one bedroom, it was smaller than any home they’d envisaged owning. But they liked the way spaces interconnect.
"Everywhere we look at green space. So much light pours in. Even on a grey day, it’s light.
“It’s a small house but it creates interesting spaces. Living small has become a lot more interesting.”
Designed by acclaimed New Zealand architect Claude Megson and built in 1969, this extraordinary one-bedroom townhouse is a rare example of his progressive approach to architecture, where intricate spaces, natural light and the surrounding landscape come together with remarkable effect.
Elevated in a no-exit street in the heart of Remuera's northern slopes, the home has an unmistakable architectural identity. Exposed concrete block and rough-sawn timber ceilings create an industrial aesthetic that is both bold and beautifully restrained.
At its heart, a dramatic double-height light well rises through the home, flooding the interior with natural light. Open-plan living and dining, warmed by timber floors, flow to a large terrace creating an inviting extension of the living space. The galley kitchen opens to a sun-filled courtyard and easy-care garden. Every element reflects Megson's clever use of space and connection between indoors and out.
Complete with a single carport, this is an exceptional city retreat for buyers who appreciate authentic architecture and distinctive design.
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| The townhouses in the 1980s, after forgoing some maintenance Pics from Bayley's. Mrkusich Townhouses Plan and Elevations from Claude Megson Collection. CM89 Architecture Archive. University of Auckland Libraries and Learning Services, via Remuera Heritage. |
























































